Last summer I spent one week in Maine as the 2019 Critic in Residence for The Chart, an online arts journal “dedicated to tenderness, visibility, and urgency in arts writing.” I met with artists throughout the state of Maine in their studios. I also participated in John Coleman’s CURING: FORTH with more than a dozen artists, musicians, educators, and performers. I wrote an essay combining my memories of this event with reflections on my pregnancy and performance art.
Read the text here.
Still from Yoko Ono’s Cut Piece, 1964.